Dantesca Chair with Inlay Work
Italian 16th Century
16th century
Factsimilar — visual material culture
8889
La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 6 (verso)
1556
Poster exhibit, Mechanics Fair, the 19th exhibition
Boston, Mass., 1895
Herr Albrecht Marschall von Raprechtswil
Zürich, ca. 1300 bis ca. 1340
Portrait of King Louis XIV
17th century
L'arbre aux racines (Tree with Roots)
published 1849
Cuneiform tablet: administrative account with entries concerning malt and barley groats
ca. 3100–2900 BCE
Prestre de la Loy (The Priest of the Law), plate 9 from the series Caravanne du Sultan à la Mecque (Caravan of a Sultan Going to Mecca)
1748
Convivio delle Belle Donne, page 20 (recto)
August 1532
Bladder Senna and Alpine Squill
1561–1562; illumination added 1591–1596
Standing Beauty
Japan, 1661/73
Herr Bernger von Horheim
Zürich, ca. 1300 bis ca. 1340
London Types: Costermonger
1898
Brocaded Taffeta with Lily of the Valley Design
c. 1870
Text page from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
1602
The summer-porch number of the Ladies' home journal
Philadelphia, 1908
James Alexander Seddon
1863
La friction au gant de crin (Massage with Coarse Hair Glove)
1895
George Washington Morrison Nutt
c. 1860-70
Atlantic: December. John Fiske's old Virginia
Boston, Mass., 1895
Le Toucher (Touch) from the series Les Cinq Senses (The Five Senses)
1720–1770
Spitzköpfig kommt er... (With a Pointed Head He Rises...) (in-text plate) from mock-up of Georg Heym: Umbra Vitae (Georg Heym: Shadow of Life)
1912/1922
Design for a Panel with Two Mirrors
Attributed to Gilles-Marie Oppenord, French, 1672–1742
before 1742
Cinder-path tales, William Lindsey
Boston, [1896]
Vue perspective du chateau du roy d'Espagne aux environs de Madrid
1700 - 1799
Von Singenberg, Truchseß zu St. Gallen
Zürich, ca. 1300 bis ca. 1340
Tea Bowl and Saucer
ca. 1775
The Adoration of the Magi
c. 1440/1460
St. Michael's Church, Charleston, S.C.
ca. 1864
Golden-eye duck
London, 1838
