Emilienne d'Alençon, from Treize LithographiesHenri de Toulouse-Lautrec — French, 1864-1901France, 1898, published before 1906PrintsThe Art Institute of Chicago
Anna Held, from Treize LithographiesHenri de Toulouse-Lautrec — French, 1864-1901France, 1898, published before 1906PrintsThe Art Institute of Chicago
Sybil Sanderson, from Treize LithographiesHenri de Toulouse-Lautrec — French, 1864-1901France, 1898, published before 1906PrintsThe Art Institute of Chicago
At the ConcertHenri de Toulouse-Lautrec — French, 1864-1901France, 1896, printed 1946PrintsThe Art Institute of Chicago
The Simpson ChainHenri de Toulouse-Lautrec — French, 1864-1901France, 1896PrintsThe Art Institute of Chicago
Woman Lying on her Back, Lassitude, plate ten from EllesHenri de Toulouse-Lautrec (French, 1864-1901) — published by Gustave Pellet (French, 1859-1919); probably printed by Auguste Clot (French, 1858-1936)France, 1896PrintsThe Art Institute of Chicago
May Belfort, from Treize LithographiesHenri de Toulouse-Lautrec — French, 1864-1901France, 1898, published before 1906PrintsThe Art Institute of Chicago
Louise Balthy, from Treize LithographiesHenri de Toulouse-Lautrec — French, 1864-1901France, 1898, published before 1906PrintsThe Art Institute of Chicago
At the ConcertHenri de Toulouse-Lautrec — French, 1864-1901France, 1896, printed 1946PrintsThe Art Institute of Chicago
Landscape with TreesAlfred Sisley — French, 1839-1899France, 1880/85Paintings & drawingsThe Art Institute of Chicago
Tampan (Ceremonial Cloth)Paminggir; Indonesia, South Sumatra, LampungIndonesia, 19th centuryTextiles & patternsThe Art Institute of Chicago
Tampan (Ceremonial Cloth)Paminggir; Indonesia, South Sumatra, LampungIndonesia, 19th centuryTextiles & patternsThe Art Institute of Chicago
National Academy of Design Competition, New York, New York, South ElevationPeter Bonnett Wight — American, 1838–1925New York City, 1861Paintings & drawingsThe Art Institute of Chicago
Ôhi (Stole)JapanJapan, Meiji period (1868–1912), 1875/1900Textiles & patternsThe Art Institute of Chicago
UntitledPossibly William J. Shew; American, 1820–1903United States, 1839/99PhotographsThe Art Institute of Chicago
Ôhi (Stole)JapanJapan, Meiji period (1868–1912), 1875/1900Textiles & patternsThe Art Institute of Chicago
Ôhi (Stole)JapanJapan, Meiji period (1868–1912), 1875/1900Textiles & patternsThe Art Institute of Chicago
National Academy of Design Competition, New York, New York, South ElevationPeter Bonnett Wight — American, 1838–1925New York City, 1861Paintings & drawingsThe Art Institute of Chicago
Untitled (Locket)Artist unknown — 19th centuryUnknown Place, 1839/60PhotographsThe Art Institute of Chicago
Ôhi (Stole)JapanJapan, Meiji period (1868–1912), 1875/1900Textiles & patternsThe Art Institute of Chicago
Tapis (Ceremonial or Wedding Skirt)Indonesia, Sumatra, LampungIndonesia, 19th centuryTextiles & patternsThe Art Institute of Chicago
FragmentJapanJapan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)Textiles & patternsThe Art Institute of Chicago
The Carnival of ParnassusPierre François Basan (French, 1723-1797) — after Gabriel de Saint-Aubin (French, 1724-1780)France, c.1759PrintsThe Art Institute of Chicago
Naumachia in the Courtyard of Palazzo PittiOrazio Scarabelli — Italian, active c. 1580-1600Italy, 1592PrintsThe Art Institute of Chicago
FragmentJapanJapan, late Edo period (1789–1868), 1750/1800Textiles & patternsThe Art Institute of Chicago
FragmentJapanJapan, late Edo period (1789–1868), 1800/25Textiles & patternsThe Art Institute of Chicago
La Guinguette, Divertissment pantomine, du Theatre Italien (The Dance Hall, a Diverting pantomine, from Italian Theatre)Pierre François Basan (French, 1723-1797) — after Gabriel de Saint-Aubin (French, 1724-1780)France, c.1750PrintsThe Art Institute of Chicago
Etude du Dessein (The Drawing Lesson)Jacques Philippe Le Bas (French, 1707-1783) — after Jean Siméon Chardin (French, 1699-1779)France, 1749PrintsThe Art Institute of Chicago
Fragment (Shitenno from Kesa)JapanJapan, Meiji period (1868–1912), 1875/1900Textiles & patternsThe Art Institute of Chicago
La Blanchisseuse (The Washerwoman)Charles-Nicolas Cochin, I (French, 1688-1754) — after Jean Siméon Chardin (French, 1699-1779)France, 1739PrintsThe Art Institute of Chicago
Fragment (From a Noh Costume)JapanJapan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)Textiles & patternsThe Art Institute of Chicago
Woman Sealing a LetterÉtienne Fessard (French, 1714-1777) — after Jean Siméon Chardin (French, 1699-1779)France, 1738PrintsThe Art Institute of Chicago
Fragment (Shitenno from Kesa)JapanJapan, late Edo period (1789–1868), 1800/25Textiles & patternsThe Art Institute of Chicago
Mars, Venus and CupidMarcantonio Raimondi — Italian, 1470/82-1527/34Italy, 1508PrintsThe Art Institute of Chicago
FragmentChina or JapanChina, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)Textiles & patternsThe Art Institute of Chicago
FragmentJapanJapan, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)Textiles & patternsThe Art Institute of Chicago
FragmentChina or JapanChina, 18th century, late Edo period (1789–1868)/ Meiji period (1868–1912)Textiles & patternsThe Art Institute of Chicago