Visiting (Kayoi), from the series "The Seven Fashionable Aspects of Komachi (Furyu yatsushi nana Komachi)"Suzuki Harunobu 鈴木 春信 — Japanese, 1725 (?)-1770Japan, c. early 1760sPrintsThe Art Institute of Chicago
By the StreamAttributed to Suzuki Harunobu 鈴木 春信; Japanese, 1725 (?)–1770Japan, c. 1765PrintsThe Art Institute of Chicago
Hanging a Painting (parody of the Third Princess)Attributed to Suzuki Harunobu 鈴木 春信; Japanese, 1725 (?)-1770Japan, c. 1767PrintsThe Art Institute of Chicago
The Evening Bell of the Clock (Tokei no bansho), from the series "Eight Views of the Parlor (Zashiki hakkei)"Suzuki Harunobu 鈴木 春信 — Japanese, 1725 (?)-1770Japan, c. 1766PrintsThe Art Institute of Chicago
Poem by Ki no Tsurayuki, from an untitled series of Thirty-Six Immortal PoetsSuzuki Harunobu 鈴木 春信 — Japanese, 1725 (?)-1770Japan, c. 1767/68PrintsThe Art Institute of Chicago
Courtier and LadySuzuki Harunobu 鈴木 春信 — Japanese, 1725 (?)-1770Japan, c. 1768PrintsThe Art Institute of Chicago
Gathering Bamboo ShootsSuzuki Harunobu 鈴木 春信 — Japanese, 1725 (?)-1770Japan, c. 1765PrintsThe Art Institute of Chicago
PlateDe Grieksche A (The Greek A) Factory — Delft, Netherlands, 1658-1811; Jacob van der Kool; Dutch, active 1722-1733; Cornelia van Willigen; Dutch, active 1733-1757Delft, 1722-57ObjectsThe Art Institute of Chicago
PlateDe Grieksche A (The Greek A) Factory — Delft, Netherlands, 1658-1811; Pieter Adriaensz. Kocks; Dutch, active 1701-1722Delft, c. 1710-20ObjectsThe Art Institute of Chicago
Plaque: Psalm No. 150Probably Utrecht, NetherlandsUtrecht, early 19th centuryObjectsThe Art Institute of Chicago
Herring DishDirk van den Bergh — Netherlands, 18th centuryDelft, c. 1740ObjectsThe Art Institute of Chicago
Figure of a Buddhist Monk (Budai Hoshang)De Grieksche A (The Greek A) Factory — Delft, the Netherlands, 1658-1811Delft, c. 1690-c. 1700ObjectsThe Art Institute of Chicago
Chocolate Cup StandDe Grieksche A (The Greek A) Factory — Delft, Netherlands, 1658-1811; Pieter Adriaensz. Kocks; Dutch, active 1701-1722Delft, 1701-22ObjectsThe Art Institute of Chicago
Putto Poised on Right Leg (recto); Sketch of a Draped Arm (verso)Domenico Cresti, called Passignano — Italian, 1559-1638Italy, 1575/1600Paintings & drawingsThe Art Institute of Chicago
Via Crucis; Christ Falling Beneath the Cross (recto) Sketch of Male Nude (verso)Follower of Luca Cambiaso; Italian, 1527-1585Italy, 1560/70Paintings & drawingsThe Art Institute of Chicago
Solomon and the Queen of Sheba (recto); Sketch of the Queen of Sheba (verso)Bernardo Castello — Italian, 1557-1629Italy, 1590/99Paintings & drawingsThe Art Institute of Chicago
Study for the Duel between Heraclius and Khosrau (recto); Sketches of Seated Figure (verso)Niccolò Circignani, called Il Pomarancio — Italian, 1514/24-after 1597Italy, 1582Paintings & drawingsThe Art Institute of Chicago
The Zwinger, Dresden, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
Zwinger Palace, Dresden, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
On the Walls, Cologne, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
La Halle, Bruges, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
Ratisbonne, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
Part of the Castle at Heidelberg, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
Hotel de Ville, Brussells, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
At Braubach on the Rhine, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
Basle, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
Nuremberg, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
Augsburg, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
Dresden, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
At Ratisbonne, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
Maline, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
Antwerp, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
Cologne, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
Roman Pillar at Igel, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
Wurzburg, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
Figures in BoatsWillem van de Velde II — Dutch, 1633-1707Holland, n.d.Paintings & drawingsThe Art Institute of Chicago
Fukusa (Gift Cover)JapanJapan, late Edo period (1789–1868), early 19th centuryTextiles & patternsThe Art Institute of Chicago
Fukusa (Gift Cover)JapanJapan, Appliqued fabric: Edo period (1615–1868), late 18th century Mounting fabric: Meiji period (1868–1912), 1868/83Textiles & patternsThe Art Institute of Chicago
Mizuhiki (Temple Banner)JapanJapan, Edo period (1615–1868), 1668/1703Textiles & patternsThe Art Institute of Chicago
Wurtzburg, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout (English, 1783-1852) — printed by Charles Joseph Hullmandel (English, 1789-1850)England, 1833PrintsThe Art Institute of Chicago
Portico with a LanternFollower of Canaletto (Antonio Canal; Italian, 1697–1768)Italy, c. 1745Paintings & drawingsThe Art Institute of Chicago
Cup and SaucerAmstel Porcelain Factory — Netherlands, 1784-1814Oude Amstel, 18th centuryObjectsThe Art Institute of Chicago
Tea Bowl and SaucerWeesp Porcelain Factory — Netherlands, 1757-1814Loosdrecht, c. 1770ObjectsThe Art Institute of Chicago
Saint Peter in a Historiated Initial "E" from a GradualItalianItaly, 15th centuryManuscripts & booksThe Art Institute of Chicago
Fête ChampêtreArtist unknown (French, active 18th century)France, 1725–1750Paintings & drawingsThe Art Institute of Chicago
Allegorical Subject (Angel above Two Sibyls)Luca Cambiaso — Italian, 1527-1585Italy, 1560/65Paintings & drawingsThe Art Institute of Chicago
Battle Scene with Horses and MenDomenico Campagnola — Italian, c. 1500-1564Italy, c. 1517Paintings & drawingsThe Art Institute of Chicago
Last JudgementCircle of Jacopo Negretti, called Palma il Giovane; Italian, c. 1548-1628Italy, n.d.Paintings & drawingsThe Art Institute of Chicago
Spandrel Design for Coronation of VirginUnknown Artist (possibly German or Sienese, 16th century) — or Pietro da Cortona (Italian, 1596-1669); or Ventura Salimbeni (Italian, 1567/68-1613)Italy, n.d.Paintings & drawingsThe Art Institute of Chicago
CalvaryAttributed to Pedro Machuca; Spanish, c. 1495-1550Spain, n.d.Paintings & drawingsThe Art Institute of Chicago
Cupid in Triumphal Chariot, Accompanied by Gods and GoddessesFollower of Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546Italy, n.d.Paintings & drawingsThe Art Institute of Chicago
Deposition, with Saint Francis of Assisi and Another Male Saint (Stephen?)Attributed to Simone De Magistris; Italian, 1538-c. 1611Italy, c. 1576Paintings & drawingsThe Art Institute of Chicago
Man Standing in Prayer (recto); Drapery Study (verso)Domenico Fiasella — Italian, 1589-1669Italy, 1550/70Paintings & drawingsThe Art Institute of Chicago
Holy Family with Saint CatherineAttributed to Luca Cambiaso; Italian, 1527-1585Italy, 1570/90Paintings & drawingsThe Art Institute of Chicago
DepositionAttributed to Luca Cambiaso; Italian, 1527-1585Italy, 1570/75Paintings & drawingsThe Art Institute of Chicago
Christ Carrying the CrossCesare Rossetti — Italian, 1568-c. 1621Italy, 1580/1600Paintings & drawingsThe Art Institute of Chicago
Saint PaulCircle of Giovanni Battista Trotti called Il Malosso; Italian, 1555-1619Italy, 1590/1610Paintings & drawingsThe Art Institute of Chicago
Putti with Peacocks and Musical InstrumentsWorkshop of Lattanzio Gambara; Italian, c. 1530-1574Italy, n.d.Paintings & drawingsThe Art Institute of Chicago
Hercules Felling King DiomedesGiulio Pippi, called Giulio Romano — Italian, c. 1499-1546Italy, 1540/46Paintings & drawingsThe Art Institute of Chicago
Crucified Christ or MarsyasFollower of Michelangelo Buonarroti; Italian, late 16th centuryItaly, 1585/95Paintings & drawingsThe Art Institute of Chicago
Bishop Saint (Ambrose?) Exorcising the DevilAttributed to Giovanni Battista della Rovere, called Il Fiamminghino; Italian, 1561-1627/30Italy, n.d.Paintings & drawingsThe Art Institute of Chicago
The LamentationLuca Penni — Italian, 1500/04-1557Italy, 1540/46Paintings & drawingsThe Art Institute of Chicago
Saint Jerome in PenitenceFollower of Luca Cambiaso; Italian, 1527-1585Italy, 1575/85Paintings & drawingsThe Art Institute of Chicago
Sacrifice of IsaacFollower of Lelio Orsi (Italian, 1508 or 1511–1587); or possibly after Giovanni Antonio da Pordenone (Italian, c. 1484-1539)Italy, n.d.Paintings & drawingsThe Art Institute of Chicago
A Man and a Woman in a ParkLudek Marold — Czech, 1865-1898Czech Republic, n.d.Paintings & drawingsThe Art Institute of Chicago
Monument with Dead Warrior and AngelJoseph Nollekens — English, 1737-1823England, n.d.Paintings & drawingsThe Art Institute of Chicago
Putto Holding StaffAfter Guido Reni (Italian, 1575-1642); or possibly Marcantonio Franceschini (Italian, 1648-1729); or Carlo Cignani (Italian, 1628-1719)Italy, n.d.Paintings & drawingsThe Art Institute of Chicago